The diffusion of musical taste in Goiás granjeara him the title of'' Milan'' Pernambuco because it was said, a chronic coeval, that'' Turning up its streets, you hear a horn here, there a low , on a piston, and a trombone, a clarinet, a flute, a whistle, a harmony or melody whatsoever, and we can not see that room or corridor walls not in two or three rows of cages with birds singing and chilreadores ''.
Rare home, middle class upwards, which lacked its German piano, his mandolin or the violin. (Machado, Tybalt. Liberals The uprisings in Goiana. Companhia Editora de Pernambuco, Recife CEPE, 1990).
According Valdemar de Oliveira [...] Goiana is distinguished in the field of culture, art, all of it a shrine - in its majestic churches, in their cruises stone in their workmanship of silver and gold in their music files in their cultural entities in their arts organizations, in all these things we say thought, culture, intelligence, spiritual primacy. Goiana is an old matron covered with jewels. On feast days, put out your tableware, your props, inherited their titles - has to show, he has something to preen. [...]
Goiana always stood out not only for its natural beauty and urban but also by the musical tastes of its people, I wonder how was my goiana 19th century, the refined culture of goianenses hatching in the four corners of the city, as well as describes above this chronic .
Surely it was no coincidence that the emperor D. Pedro II came to visit this magnificent city that breathed music since he was a lover of the arts. Mario de Andrade located the following'' (...) The Second Empire was perhaps the period of greatest brightness outside the Brazilian musical life'' (Andrade, 1980b, p.168). If, on the one hand, few studies lasted Brazilian musical memory, on the other, the production was intense and constant, and certainly in a retrospective of artistic life in Brazil, is not so enthusiastic passion for music and in time D . Pedro II. This art was transformed into genuine consumables first order hearing, the study by acquiring individual scores and instruments, and also by the large number of events held. As a consequence of this effervescent period for music, musical goiana was polo, Mario Santiago in his'' Elements of the History of Musical Society Curica'' records the number of 12 bands, and beyond Curica Saboeira.
So Goiana always been a city differentiated from the others not only because of our favorable location and fertile land but because of our inclination to the arts, especially music, is not by chance that export various musicians who are national benchmarks Guedes maestros like Peixoto, Duda, Zuzinha and many others, is a legacy that never ends and always continues.
Emanuel Cabral.
Nenhum comentário:
Postar um comentário